Friday, January 13, 2017

Life Begins On the Other Side of Despair

Wednesday January 11, 2017

     If you tilt your head just so and squint your eyes just right, the whole world looks like a Second Empire sitting room. Specifically, the sitting room from Jean-Paul Sartré's play "Hui Clos / No Exit", published in 1944. To be sure, this is not Dante Alighieri's malebolge, and there is no Prince of Demons here. This place represents the refined man's idea of pleasantness and comfort, circa 1944. Three sofas, one door, a mantel fireplace with an atrocious bronze statuary, and a paper-knife (what we in 2017 would think of as an Exacto knife). It's an optical illusion, but the kind that reveals what is hidden behind the curtain of our everyday life ... maybe.  Life as we know it to be belies the absurdity of life as it really must be ... according to Jean-Paul Sartré. Despair/Absurdity is that awful thing behind the curtain, too awful even to think about, lest the void devour our souls. The curtain (everyday life) is the absurd covering, the bad toupee, and Sartré wasn't afraid to call it like he saw it. 

     The principal "No Exit" characters, Garcin, Estelle and Inez, are three people who start out with a veneer of civility to them despite their dire environs. Though each of them understands where they are (existentialist hell) and why they are there, they make an attempt at pleasant society. In Sartréan philosophy, existence precedes essenceThe first principle of existentialism as explained by its creator, is this: Man is nothing else but that which he makes of himself or wills himself to be. It's a rephrasing of the old Cartesian maxim Cogito, Ergo Sum. ("I think, therefore I am.") Since Sartré's philosophy begins with the presumption of material atheism, there can be no one else to create/achieve your essence for you if you fail to do so yourself. No one else can take that role. An Existentialist is either born with what needs in order to self-actualize or not, in which case the absurdity of human existence destroys him. To miss the meaning of one's own life is to miss the meaning of all life, or so we might conclude here. To achieve existence is simply to be born, but to achieve essence is an act of the will. The power to determine one's own essence can be called the will to self. Garcin, Estelle, and Inez are fictitious example of those whom, in the playwright's opinion, failed as human beings because they lacked viable self-concepts. So, the Existentialist ideal (if there is such a thing) is definitely not what the play is meant to shows us. In "No Exit" We have three cogitos eternally without a sum. There is not one sum between them, nor is there one they can share. There is only irredeemable dysfunction and depravity playing itself out for all eternity. 

     Could you or I live in the country below the line 
of despair if we simply retreated further and further into ourselves to keep from drowning? What is the final bulwark against despair if the entire universe is a Caucus Race [link] of absurdity? Existence precedes essences only in the solipsism of a hui-clos mind. 


Existentialism is a Humanism Lecture 1946

Caucus Race from Alice In Wonderland

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